Someday I will own this book. Been searching for it for over 10 yrs crazy. An acquaintance of Woodman wrote in 2000 that it “was a very peculiar little book indeed,” with “a strangely ironic distance between the soft intimacy of the bodies in the photographs and the angularity of the geometric rules that covered the pages.” Woodman confronts issues of memory and identity through the tight narrative framework of her studio interior, herself and personal and family objects. On an aesthetic level the superimposed images work to construct a series of responses to the geometric forms illustrated and described in the source work. Woodman re-creates or references them through the imaging of her own body, as well as by using the spaces between furniture and wall and floor divisions in the enclosed space. herarchaicsmile: Some Disordered Interior Geometries, Francesca Woodman 1981

Someday I will own this book. Been searching for it for over 10 yrs crazy.

An acquaintance of Woodman wrote in 2000 that it “was a very peculiar little book indeed,” with “a strangely ironic distance between the soft intimacy of the bodies in the photographs and the angularity of the geometric rules that covered the pages.”

Woodman confronts issues of memory and identity through the tight narrative framework of her studio interior, herself and personal and family objects. On an aesthetic level the superimposed images work to construct a series of responses to the geometric forms illustrated and described in the source work. Woodman re-creates or references them through the imaging of her own body, as well as by using the spaces between furniture and wall and floor divisions in the enclosed space.

herarchaicsmile:

Some Disordered Interior Geometries, Francesca Woodman 1981